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So if we were to strum every permutation of a 16th note rhythm it would look like this: The key thing is to keep your hand moving in that 16 th note rhythm regardless of whether your hand is hitting the strings or not. 1 2 3 4 and ‘&’s should land on a down strum and ‘e’s and ‘a’s should be upstrums. If you start with a down strum at the beginning of the bar all numbers i.e. The easiest way to count this is 1,e,&,a,2,e,&,a,3,e,&,a,4,e,&,a (e as in tea and a as in abba) which rolls off the tongue nicely. Most mid tempo songs use 16 th note patterns and 8 ths are used for either slow songs with gentle grooves or really fast songs where it’s simply not possible to strum 16 th times per bar.įor an 8 th note rhythm the idea is that your hand will move down and up eight times in a bar and you would count 1 & 2 & 3 & 4 &, and for the 16 th notes your hand will move sixteen times. If you’ve never analysed how strumming patterns work the main thing to understand is that depending on the type of song, your hand should generally be playing 8 th or 16 th note rhythms.
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So if we keep changing our patterns randomly it becomes very difficult for the other instruments to find a consistent groove. Change that one ingredient and the whole flavor of the song can be upset.
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A good strumming pattern is like a key ingredient that all the other instrument parts can bond around. At worst we end up with two or three strumming patterns that we try to fit into everything and even if we learn to feel the right groove the patterns can be a bit wild and random.ĭeveloping your rhythm technique will improve your timing, dynamics and will help the whole band to gel together musically. Very often when we first learn to play we get pretty good at changing chords with our left hands but don’t pay so much attention to the hand that holds down the rhythm. If there’s one piece of advice I’d give to acoustic guitarists to improve their tone and dynamics it is to think about their strumming patterns. Understanding strumming patterns for worship guitar Strumming patterns for worship guitarists